My name is Jon and I live in Los Angeles. I've visited Japan a lot so that's what this blog is about...visiting Japan, Japanese history and samurai movies.
Daibutsu, Kamakura
Daibutsu in Kamakura, June 2010. There were thousands of school kids visiting that day. It was still great fun.
Friday, May 11, 2012
1000 Samurai in Nikko
Wednesday, October 05, 2011
How Japan's Oldest Wooden Building Survives Giant Earthquakes
How Japan's Oldest Wooden Building Survives Giant Earthquakes
BY ANDREW TARANTOLA OCT 5, 2011 11:30 AM
How Japan’s Oldest Wooden Building Survives Giant Earthquakes
Japan has been struck by magnitude 7.0 or greater earthquakes a staggering 46 times since the pagoda at the Horyu-Ji Temple was built in 607AD. So, how did the 122 foot tall structure stay upright through all that shaking?
Multi-story pagoda technology arrived in Japan during the sixth century alongside Buddhism from China. On the mainland, pagodas were traditionally built of stone. However given Japan's seismic instability and higher annual rainfall, that design was simply untenable. But, after much experimentation, Japanese builders figured out how to adapt them to the shaky conditions through three design changes: the use of wide and heavy eaves, disconnected floors, and a shock-absorbing shinbashira.
Japan is a wet country with roughly double China's annual precipitation. So, to keep rainwater from running off building and onto the soil surrounding the foundation, potentially causing the pagoda to sink, builders extended the eaves far away from the walls—constituting up to 50 percent or more of the building's total width. Builders employed a series of cantilevered beams to prop up the massive overhangs. Then, to combat the buildings' severe flammability, the eaves were then laden with heavy earthenware to prevent tinders from igniting the wooden structure underneath.
Side note: Boy are pagodas flammable. The Toji pagoda, Japan's tallest wooden structure, has burned to the ground after being struck by lightning three times since its first building in 824. Fire-by-lightning-strike is actually the primary way that pagodas are destroyed, hence the inclusion of the large metal spire on the roof that acts as a lightning rod. In fact, only two Japanese pagodas in the last 1400 years, the pair at Todai-ji temple, are known to have actually collapsed from shaking alone.
The wide and heavy eaves aren't only good for fire protection, they also act as enormous stabilizers with a huge amount of inertia that must be overcome for the building to begin swaying. And even with the strongest of jolts, the eaves will cause the building to gently sway rather than shake.
The Horyu-ji pagoda doesn't have any central load-bearing beams like you'd see in modern construction. Since the building tapers as it rises, no single load-bearing vertical beam connects to the one below it. The individual floors themselves aren't solidly connected to their neighbors either, just piled atop one another with loose-fitting brackets. This is actually a big advantage in earthquake country. During a shake, the floors will sway in a slithering fashion, with each floor moving in the opposite direction of the ones immediately above and below. This allows the building to more fluidly ride the seismic wave than a more solid building would.
To keep the floors from flexing too far, builders came up with an ingenious solution—the shinbashira. It looks like a large load-bearing column, but it doesn't actually support any of the building's weight (that weight is supported by a network of 12 outer and four inner columns). Built from a large pine trunk, the shinbashira is strung from the underside of the roof and hangs down a shaft in the center of the structure. Sometimes it's buried into the earth, sometimes it rests lightly atop the ground, and occasionally it doesn't even touch the ground—it just freely hangs. The shinbashira acts as a massive tuned mass damper, helping to mitigate the earthquake's vibrations. It also prevents the floors from swaying to the point of collapse and absorbs some of the momentum of the floors as they strike against it. Basically, it's a giant stationary pendulum with enough mass to prevent the lighter floors from freely swinging around.
This same damping technology is still in use today. The The Taipei 101 employs a massive 4-story, 730-ton steel pendulum hung from the 92nd floor to prevent the building from swaying in high winds. The Citicorp Center in New York, uses a 400 ton concrete block to prevent movement during hurricanes.
[Wikipedia 1, 2, 3 - Economist - Asia Times - National Information Service for Earthquake Engineering- Top image courtesy of (c)Tomo.Yun (www.yunphoto.net/en/) ]
Monster Machines is all about the most exceptional machines in the world, from massive gadgets of destruction to tiny machines of precision, and everything in between.
Thursday, June 16, 2011
Stoned Buddha
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| I love the stone on this little one's head. |
This is my entry in this weeks Show Me Japan. Please click on the photo below to see more great Japan photos at Budget Trouble.
Tuesday, May 31, 2011
Japanese Warlord Played a Mean Game of Kickball
As Toranosuke correctly pointed out below in his comment, the sport is not like today's version of kickball. The ancient sport is called kemari and is more like the game of hackysack or juggling a soccer ball. There were varying numbers of players, between 2 and 12, and the ball was passed between players. There was no tackling or vying for the ball and the game was not competitive apparently but was more dignified and ceremonious however it did (and does) require a great amount of skill.
Wednesday, March 09, 2011
Zen psychology: Daisetz Suzuki remembered
Zen psychology: Daisetz Suzuki remembered
More than any other Eastern thinker in the 20th century, Suzuki catalyzed the rise of humanistic psychology, which has spurred today's interest in spirituality and well-being
Despite the gloomy global economy, the field of positive psychology is booming. Often described simplistically by journalists as "the science of happiness," it's actually a broad focus on our strengths and talents, virtues and peak experiences in daily living. The name for this specialty originated with Martin Seligman at the University of Pennsylvania a dozen years ago. With amazing speed, it has spawned courses at hundreds of colleges, best-selling books, websites and workshops on topics like mindfulness, and wide-ranging research on the links between mood and wellness.
| Zen sage: The works of Daisetz Suzuki have inspired many in the West to study and learn from Eastern philosophy and Zen Buddhism. AP PHOTO |
Yet, amid this flurry of excitement, it's shameful that so little credit is given to a key figure who helped shift the focus away from Sigmund Freud's gloomy fixations to a more optimistic view of human nature: Daisetz Teitaro Suzuki. More than any other Eastern thinker in the 20th century, he catalyzed the rise of humanistic psychology in the post-World War II era — and, indirectly, today's mounting interest in spirituality and inner well-being. As 2011 marks the 55th anniversary of Suzuki's death, the time is right to remember the remarkable man born in what's now Kanazawa, western Japan.
Suzuki was descended from a long line of physicians of the samurai class. He was expected to follow in their path, but when he was only 6, his father died and this goal became financially impossible. Academically gifted, he taught English in several small towns before initiating higher education at Tokyo Senmon Gakko (the predecessor of Waseda University) and the nonregular course at the Imperial University in Tokyo. But by his early 20s, Suzuki felt drawn to spiritual matters, and became a novitiate at the Engakuji Rinzai Zen monastery in Kamakura.
What was his motivation? As Suzuki later reminisced, "My thoughts (had) started to turn to philosophy and religion, and as my family belonged to the Rinzai sect of Zen, it was natural that I should look to Zen for some of the answers to my problems (about losing my father and our family's resulting poverty)."
At Engakuji, Suzuki's mentor, the aged Roshi (Zen master) Imagita Kosen, bestowed the Buddhist name Daisetz, meaning "great humility" on his pupil. Suzuki spent long hours in zazen (sitting meditation) and immersed himself in classic Zen texts. He was especially inspired by the "Zenkan Sakushin" (Whips to Drive You Through the Zen Barrier), an anthology of writings on Zen discipline and advice compiled by a Chinese master of the Ming dynasty. Decades later, Suzuki would vividly describe these formative years in his spiritual memoir, "The Training of A Buddhist Monk."
As he later reminisced, "In the way of moral effort, I used to spend many nights in a cave at the back of the Shariden building where the Buddha's tooth was enshrined. But there was always a weakness of willpower in me, so that I often failed to sit up all night in the cave, finding some excuse to leave, such as the mosquitoes."
Suzuki may have been exceptionally modest by temperament, but he was a brilliant linguist. Recognizing this talent was Roshi Kosen's cosmopolitan successor — Shaku Soyen, who arranged for young Suzuki to work near Chicago as a professional translator of Eastern texts for the Open Court publishing firm. There for 12 years, Suzuki enthusiastically introduced Americans to classic Chinese, Japanese, Pali and Sanskrit writings — starting with Taoism's seminal text, the "Tao Te Ching." In 1907, Suzuki authored his first book, "Outlines of Mahayana Buddhism," and thus began his subsequent, nearly 60-year career as a teacher and interpreter of Zen Buddhism to the West. During his stay in the U.S., he traveled widely including a visit to Europe — expanding his translation work and connecting with Theosophists and others interested in mystical teachings for the modern world.
| Training ground: Daisetz Suzuki studied Zen at Engakuji monastery in Kamakura. YOSHIAKI MIURA PHOTOS |
Late in his life, Suzuki insisted that he had never planned to spend so much time residing in the U.S., but "one year grew into the next and I wound up staying in America for more than a decade. After that, I traveled around Europe for a year before returning to Japan."
During this period, Suzuki also found time for romance. In 1911, he married Beatrice Erskine Lane, an American social worker eight years his junior drawn to Zen and Theosophy. By then, he was back in Japan as an English lecturer at the Imperial University, and they wedded in Yokohama. The two would adopt a son and collaborate on many literary projects until her death in 1939, for Lane was an accomplished scholar in her own right — whose lucid book on Mahayana Buddhism still remains in print after more than 70 years. Sharing her husband's interest in psychology, she devoted an entire chapter in this work to the Buddhist concept of personality — and poetically declared that "The only definite teaching to be found in Zen is that . . . every man is a sleeping Buddha. Consequently, (one) has but to awaken his heart of wisdom by meditation to gain a direct insight into the nature of reality."
The 1920s and 1930s marked Suzuki's most productive years. Joining the faculty of Otani University in Kyoto, he taught both English and Buddhist philosophy, and received an honorary doctorate in literature. During this period, his major books included "An Introduction to Zen Buddhism," "Essays in Zen Buddhism," "The Training of the Zen Buddhist Monk," his translation of the ancient Sanskrit Lankavatara Sutra, and especially "Zen and Its Influence on Japanese Culture."
These works came to influence several major psychological thinkers of the 20th century including Carl Jung, Erich Fromm and Karen Horney. For example, Jung was fascinated by Suzuki's description of the Zen experience of satori(enlightenment) and argued that it showed that we have higher stages of consciousness beyond the ego. For Fromm and Horney, Suzuki's work pointed the way to an exciting new understanding of personality growth and psychotherapy based on the notion of a "real self" that can be nurtured through authenticity and "whole-heartedness."
Fromm admired Suzuki's Zen teaching that we grow spiritually in life not by mere words and intellect, but by involving our entire being. At the time, of course, Freudianism was the dominant approach in Europe and the U.S., and had nothing to say about such matters.
During the interwar years, Suzuki's writings also helped modern Japanese to appreciate the impact of Zen thought on their own culture. For instance, in his preface to "The Training of the Zen Buddhist Monk," Suzuki asserted that "It is impossible, as I maintain, in the study of the Orient, especially in the study of Japanese character and culture, to neglect — much less to ignore — the influence of Zen. "In Zen and Its Influence on Japanese Culture," Suzuki described Zen's impact on four different, long-standing traditions in his country: painting, literature, swordsmanship and the tea ceremony. Each of these domains is worth noting, though space constraint here necessarily make these brief.
| A temple room within Engakuji monastery where Suzuki is believed to have meditated. |
Artistically, the Sumiye is a kind of sketch in black and white, involving ink composed of soot and glue, a brush of sheep's or badger's hair, and thin paper designed to absorb much ink. As Suzuki noted, such frail material was intentionally chosen to make sure that the artist's inspiration was transferred onto it in the quickest possible time — allowing for no erasing, retouching or remodeling. In this way, observed Suzuki, "Sumiye attempts to catch spirit as it moves" — thereby embodying the Zen principle that in life, "Everything becomes, nothing is stationery."
As for literature, the haiku is a special product of Japanese genius, according to Suzuki, developed in its highest form by the 17th-century Zen devotee Basho. How so? Because he freed haiku from mere wordplay and connected it to the experience of ultimate truth with such poems as "A frog jumps into the water. Hear the sound!"
As for swordsmanship, Suzuki contended that in feudal times, Japanese warriors were taught by Zen masters not to learn scholarly doctrines, but to develop a specific mental attitude: fearlessness before their possible death in battle. The 16th-century Zen master Takuan also taught his disciple Yagyu Tajima no Kami (swordsmanship teacher to the shogun of his day): "What is most important in the art of swordplay is to acquire . . . 'immovable wisdom.' 'Immovable' does not mean to be stiff and heavy . . . It means the highest degree of motility with a center which remains immovable . . . You must leave your mind free to make its own countermovement without your interfering deliberation."
Finally, Suzuki contended that the Japanese tea ceremony, so integral and favored part of its culture — and similar to other long-standing artistic activities as flower arranging — embodies the spirit of sabi by emphasizing such elements as simplicity, naturalness, refinement and "familiarity singularly tinged with aloofness and everyday commonness veiled exquisitely with the mist of transcendental inwardness."
Such insights by Suzuki helped to awaken broad Japanese interest in Zen Buddhism, especially as his reputation grew in the West.
When World War II erupted, Suzuki was under the suspicion of the Japanese government for his opposition to militarism. In his numerous wartime essays on Zen, he kept quiet about political matters, but in private letters as well as public speeches, he made clear his antiwar stance. For example, the day after Pearl Harbor was bombed, the 71-year-old Suzuki plunged Otani University's faculty meeting into uproar when he contended, "With this, Japan will be destroyed. What will destroy it is Shinto and the militarists."
Such shocking words, of course, proved prophetic — and in 1949, he was made a member of the Japan Academy and decorated by the emperor with the Order of Culture.
The postwar era marked the heyday of American Freudianism and its humanistic offshoots — and Suzuki, teaching Zen Buddhism at Columbia University in the 1950s, was at the epicenter of creative psychological thought. Only months before Horney's death in 1952, she accompanied Suzuki and colleagues on a tour of Japanese Zen monasteries and emphasized the importance of his notion of "whole-heartedness" as a vital feature of mental health. Fromm became close friends with Suzuki, and in 1957, sponsored him as a guest speaker for a conference on Zen and psychoanalysis held in Cuernavaca, Mexico. Several years later, the two coauthored an influential book on this topic; like many others, Fromm was greatly touched by Suzuki's personal warmth and kindness.
Abraham Maslow, guru of motivational psychology, was another humanistic thinker inspired by Suzuki during these years. Maslow, who pioneered in studying what he called "peak experiences" — that is, sudden moments of joy and meaning — was excited by Suzuki's concept of sono-mama or suchness, as an element of mystical awareness. Sponsoring Suzuki's lectures at Brandeis University, Maslow also regarded Suzuki's Zen teaching of muga, or total absorption, as vital for a psychology of well-being and growth.
It is an historical irony, though, that Suzuki had much less impact on Japanese psychology than on its humanistic development in the U.S. and Europe. Why so? Because during the postwar years, Japanese psychologists were eager to establish their field as a rigorous experimentalist science, akin to biology, and looked askance at philosophical or spiritual thinkers. As the Jungian scholar Dr. Shoji Muramoto of Kobe City University of Foreign Studies comments, "Unlike in the West, Suzuki's relevance to modern psychology has hardly been appreciated in Japan outside of a few journal articles. Nevertheless, he was perhaps the first Zen philosopher to deal with Zen as an object of academic study in its philosophical basis and psychological aspects, as well as its history."
After retiring from Columbia University in 1957, the elderly Suzuki returned to Japan, where he kept up an active, international schedule of writing, attending conferences, lecturing and receiving awards for his lifetime achievements.
Until his death in 1966 at age 95, he influenced a new generation interested in the relevance of Eastern thought — particularly Zen Buddhism — for contemporary civilization. For instance, his writings on Zen meditation later contributed to mindfulness training for health care professionals as a valued therapeutic tool — and now sponsored by dozens of medical schools in the U.S. and elsewhere.
As Suzuki astutely saw, the world was hungry for Eastern spiritual wisdom. His final words? "Don't worry. Thank you! Thank you!"
Thursday, February 10, 2011
Tour of Duty: Samurai, Military Service in Edo
Alternate attendance (sankin kotai) was one of the central institutions of Edo-period (1603–1868) Japan and one of the most unusual examples of a system of enforced elite mobility in world history. It required the daimyo to divide their time between their domains and the city of Edo, where they waited upon the Tokugawa shogun. Based on a prodigious amount of research in both published and archival primary sources, Tour of Duty renders alternate attendance as a lived experience, for not only the daimyo but also the samurai retainers who accompanied them. Beyond exploring the nature of travel to and from the capital as well as the period of enforced bachelorhood there, Constantine Vaporis elucidates—for the first time—the significance of alternate attendance as an engine of cultural, intellectual, material, and technological exchange.
Vaporis argues against the view that cultural change simply emanated from the center (Edo) and reveals more complex patterns of cultural circulation and production taking place between the domains and Edo and among distant parts of Japan. What is generally known as “Edo culture” in fact incorporated elements from the localities. In some cases, Edo acted as a nexus for exchange; at other times, culture traveled from one area to another without passing through the capital. As a result, even those who did not directly participate in alternate attendance experienced a world much larger than their own. Vaporis begins by detailing the nature of the trip to and from the capital for one particular large-scale domain, Tosa, and its men and goes on to analyze the political and cultural meanings of the processions of the daimyo and their extensive entourages up and down the highways. These parade-like movements were replete with symbolic import for the nature of early modern governance. Later chapters are concerned with the physical and social environment experienced by the daimyo’s retainers in Edo; they also address the question of who went to Edo and why, the network of physical spaces in which the domainal samurai lived, the issue of staffing, political power, and the daily lives and consumption habits of retainers. Finally, Vaporis examines retainers as carriers of culture, both in a literal and a figurative sense. In doing so, he reveals the significance of travel for retainers and their identity as consumers and producers of culture, thus proposing a multivalent model of cultural change. (University of Hawai`i Press)
Tour of Duty is one of nearly 200 books submitted for the 2011 International Convention of Asia Scholars (ICAS) Book Prize. The book is currently in second place with online polling taking place until March 20th. If you read this excellent book and enjoyed it like me, please go to the ICAS website and place your vote for Tour of Duty by Constatine Vaporis.
Wednesday, January 05, 2011
Jizo Bodhisattva: Guardian of Children, Travelers & Souls in Hell

The book, Jizo Bodhisattva - Guardian of Children, Travelers & Other Voyagers, written by American Zen teacher Jan Chozen Bays, provides an informative overview of the history of Jizo Bodhisattva or Ojizo-sama. For those who are familiar with or live in Japan, you probably have heard of Jizo Bodhisattva and you probably have seen many Jizo statues. It is a common sight in Japan.

I also had heard of Jizo but I did not know too much about what Jizo was or signifies. This book provided a good overview from a Zen Buddhist's perspective. The book also provided good information about some of the basic beliefs of Buddhism such as rebirth and the various hell realms.
Here are some of the interesting things I learned from this book.
A Bodhisattva is an enlightened being who vows not to enter nirvana, but instead works to free all others who suffer. Jizo's two most important vows are: "Only after the Hells are empty will I become a Buddha" and "Only after all beings are taken across to Enlightenment will I myself realize Bodhi."

Jizo is known to be the protector of children and travelers. You sometimes will see Jizo statues along roads or highways. At temples or cemetaries, a Jizo statue may be seen holding a child.
Statues of six Jizo's are often found at the entrance to cemeteries or temples. The six Jizo's represent the division of Jizo into six bodies, one to help suffering beings in each of the six realms. The six realms are the Hells, Hungry Ghosts, the Animal Realm, Human Realm, the Realm of the Asuras, and the Realm of the Gods.
There are actually many forms of Jizo. Below are some of them:
Emmei or Enmei Jizo - Jizo who prolongs life and provides benefits including watching over children and curing illness
Hara Obi Jizo - Stomach-wrapper Jizo who protects women during pregnancy
Hikeshi Jizo - Protects houses and harvests from fire
Indo Jizo - Saves humans after death and leads them to enlightenment
Meyame Jizo - Restores eyesight
Taue Jizo - Helps farmers plant rice
Mizuko Jizo - Water-Baby Jizo
There are many other Jizo's besides these above.
The popular Mizuko Jizo or Water-Baby Jizo is often portrayed as a monk with an infant in his arms and another child or two at his feet. In Japan, a ceremony called a Mizuko Kuyo is performed for grieving parents who have lost an infant either before birth or within the first few years of life. The Mizuko Jizo is a more recent creation. This Jizo and the Mizuko Kuyo ceremony arose in Japan in the 1960's.
The Jizo that is the special protector of Children arose during the medieval times in Japan. According to Japanese Buddhist beliefs, young children who have died are innocent souls who are unable to understand the teachings of the Buddha or to separate right from wrong. This also means that, through no fault of their own, they cannot become enlightened. They are stuck in a kind of limbo. Jizo protects the children in this limbo realm from demons.
Jizo statues often carry a pilgrim's staff. At the top are rings, usually four or six. Four for the Four Noble Truths of Buddhism or six for the six realms of existence such as the Hell or Human realms.
In the other hand of most Jizo statues is a cintamani jewel. The cintamani is the jewel that fullfills all wishes. The jewel is supposed to emit a warm brilliant light which illuminates the deepest reaches of the hells.
There were many other interesting facts I learned about the Jizo from this book. If you are curious about the many Jizo's located around Japan, I would recommend this book.
Thursday, September 23, 2010
Japan Photos - Something is Missing


Yes, both garage/storage buildings are missing the number four. The reason is the number four in Japan is an unlucky number. The number four is considered inauspicious because it is pronounced the same as the word for death (shi). Therefore, one should not make presents that consist of four pieces, etc. In some hotels and hospitals the room number four is skipped. It seems the owners of these garage/storage buildings did not want to bring bad luck on their cars or tools.
Wednesday, September 15, 2010
Pasadena teahouse sent to Japan for restoration, then returned to America
A Pasadena teahouse, falling on hard times, will be sent to Japan for restoration, then return to grace a new garden at the Huntington Library.
By Teresa Watanabe, Los Angeles Times
September 12, 2010
Japan's Grand Master of the Phoenix Cloud visited Los Angeles four decades ago and dedicated an exquisite teahouse to the public in the hopes of popularizing the sublime art of tea ceremony in the West.
Trained as a kamikaze pilot during World War II, the grand master saw tea as a way to promote peace, share Japan's cultural treasures and repair a national image battered by wartime militarism. The 400-year-old art expresses the values of harmony, respect, purity and tranquillity through the highly refined and ritualized making and serving of tea.
But the ceremony failed to catch on much beyond a small circle of Japanese Americans. The teahouse, given to the Pasadena Buddhist Church, declined in use. Termites began attacking the wood and paper structure, and the elderly couple who cared for the teahouse for decades no longer could do so.
The Huntington Library, Art Collections and Botanical Gardens in San Marino has stepped in to rescue the teahouse as part of an ambitious $6.7-million project to restore its Japanese garden and develop an authentic tea garden. In collaboration with the grand master's Urasenke School and the Buddhist church, the Huntington hopes to use the teahouse to expose the art to a broader swath of society and develop a premier program for Asian garden arts, including the tea ceremony, flower arranging, bonsai and stone viewing.
James Folsom, the Huntington's botanical gardens director, said the ancient Japanese art is as relevant to Americans today as it was to the Zen monks and warring samurai who practiced it four centuries ago.
"When life is so hectic, when you're rushing around looking at e-mails, how do you remind yourself to stop and be human again?" Folsom said. "The tea ceremony reminds us to step out of that, to appreciate silence and tranquillity in the presence of others and to enjoy the beauty of the moment. We would hope that tea helps lead people to a change in their own lives."
The Urasenke Tankokai Los Angeles Assn. offered a farewell bowl of tea to several guests in the Pasadena teahouse. The house, designed by the grand master's brother, Sen Mitsuhiko, is a light and airy structure featuring woven bamboo ceilings, white papered shoji screens, bamboo tatami mats and the all-important alcove displaying the day's carefully selected Japanese scroll, vase and flower arrangement.
The gathering's hostess, Soen Clarkson, performed the tea ceremony's ritualized acts: First, fold a silk cloth to wipe the tea caddy and tea scoop. Place the powdered green tea in a specially selected bowl. Pour in water heated over a charcoal brazier. Whip the mixture into a froth with a bamboo whisk. Then, offer it to the guests along with Japanese sweets.
As the guests sipped tea, Robert Hori, vice president of Urasenke's Los Angeles chapter and director of advancement at the Japanese American Cultural & Community Center, explained his choices in selecting the various accoutrements for the occasion. The careful consideration of such items is part of the tea ceremony's spirit of hospitality as the host aims to capture the gathering's treasured and irreplaceable moment.
The boat-shaped vase pointing outward symbolized the teahouse's departure from the Pasadena church, he said. A Rose of Sharon and bush clover, both short-lived blooms, reflect the transiency of life. The scroll of Japanese calligraphy was used when the grand master dedicated the teahouse, named the Arbor of the Pure Breeze, in Pasadena in 1965.
And for the day's tea scoop, Hori selected a utensil named "gratitude."
"We're really grateful for the opportunity to give the teahouse a new life," he said. "It's the end and it's the beginning."
Tea was first taken to Japan from China by a Buddhist monk in the 9th century. But it was not until the 16th century that Sen Rikyu perfected the Way of Tea by incorporating into it Zen elements of simplicity and oneness with nature. By designing a teahouse with an entrance forcing guests to lower their heads and crawl through, the tea master also sought to eliminate social distinctions.
Fourteen generations later, Sen's direct descendent, Tantansai — the Grand Master of Purity and Serenity — served tea to American Occupation forces in Japan. That, in turn, inspired his son Hounsai to move beyond his military training and lingering disdain for Americans and dedicate his life to international harmony through tea. In 1965, he visited the United States to officially dedicate the teahouse his father had bequeathed to the church.
Sosei Matsumoto, a 90-year-old tea master lauded for her accomplishments by President Clinton and the emperor of Japan alike, was the first to teach tea ceremony in the new Pasadena teahouse. The structure, she recalled Sunday, was used for classes every week, with special tea ceremonies for New Year's and the summer Obon festival honoring ancestors.
But the Pasadena tea group failed to expand and dwindled to about seven students, said Yaeko Sakahara, also 90, who took over the classes from Matsumoto more than three decades ago. One of the major obstacles, she and others said, is the traditional requirement to sit on bamboo mats with legs folded under, a position that can turn legs numb after a few minutes. Tea ceremonies can last from 20 minutes to four hours.
Another obstacle to sustaining interest in tea is growing acculturation among younger generations of Japanese Americans, said Irene Takemori, Pasadena temple president.
"The younger generation is more interested in sports and don't have a lot of time for this cultural stuff," Takemori said. "It's really a shame, because it's such a beautiful experience to drink tea and find peace of mind."
When health issues began to preoccupy Sakahara, the teahouse's future hung in the balance.
Enter the Huntington. The renowned cultural institute had been looking for a Japanese teahouse after one of its donors, Mary B. Taylor Hunt, bequeathed a $2.6-million endowment for an authentic Japanese tea garden and related cultural programs. The Huntington's nine-acre Japanese garden, designed by founder Henry Huntington and William Hertrich, reflects a Western interpretation of Japanese aethestics but is not considered authentic, Folsom said.
After months of consideration, the Pasadena Buddhist Church decided earlier this year to donate the teahouse, clearing the way for the transfer.
The Huntington plans to close the current Japanese garden next year for several months of renovation, including restoration of its ponds and a traditional Japanese house. The new two-acre garden will be installed behind the house, along with the Pasadena teahouse. The grand reopening is expected to occur in 2012, in time for the garden's centennial anniversary, Folsom said.
This week, carpenters from Japan are scheduled to fly to Los Angeles and begin dismantling the teahouse. The pieces will be shipped to Kyoto, restored, then sent back to the Huntington.
Folsom said the Huntington, working with the region's tea schools and the Buddhist church, will seek to popularize the Japanese art, possibly using more ceremonial forms that allow practitioners to sit in chairs rather than on folded legs, among other ideas.
For the longtime guardians of the teahouse, Sunday's farewell was bittersweet.
"The teahouse has been an integral part of the temple, so it's a little sad to have it depart," Takemori said. "But it's in the best public interest and for the best use of the teahouse."
Saturday, January 30, 2010
Jero in concert in LA

http://www.jaccc.org/events.htm
Sunday, January 03, 2010
Swaying Teahouse in Japan



Wednesday, September 16, 2009
Warlords and Tea Ceremonies
Friday, June 19, 2009
Japanese Warlord Plays Kickball
Wednesday, April 08, 2009
Taking an austere path to enlightenment
Taking an austere path to enlightenment
BY NAMI HAMADA, THE ASAHI SHIMBUN
Urban dwellers, looking for something missing from the day-to-day grind of their working lives, are literally heading to the mountains to reconnect with nature and find spiritual fulfillment.
They are devotees of Shugendo, a religion based on ancient Japanese mountain worship that incorporates aspects of Buddhism, Shinto and other faiths.
Among the followers is a 33-year-old man from Tokyo who works weekdays as a sales representative. On his days off, he heads for the mountains, donning a traditional outfit, complete with a conch-shell horn and straw sandals.
He is a yamabushi, a mountain priest trainee. His grueling training regime includes a discipline called nyubu, which involves walking steep mountain paths for a few days while visiting sacred sites and worshipping gods and Buddha. He has a religious name: Shinanobo Zuiryu.
Shinanobo belongs to a group called Nikko-Shugendo in Tochigi Prefecture.
Through strict training, Shugendo followers try to experience what Gautama Siddhartha underwent before attaining enlightenment.
Trainees are called yamabushi or shugenja and undergo various types of training.
Shinanobo first became interested in "mountain religion" while studying history in college. As he deepened his study, he ended up becoming a yamabushi at Nikko-Shugendo.
In 2001, he became a full-fledged member of Nikko-Shugendo. He now uses his days off from work to further his training 10 to 15 times a year on Mount Nantaisan in Nikko, Tochigi Prefecture, as well as other mountains.
Why does he devote himself to training despite his busy work schedule?
"It's my faith," he said.
His wife, Hajime, 30, said, "Whenever he is stressed out in daily life, he says, 'I want to go to the mountains.'"
Hajime is an artist, and she will soon release a work titled "My husband is a yamabushi" in a monthly comic magazine named "Honto ni Atta Waraeru Hanashi" (Funny stories that happened in real life).
Shinanobo is not the only urban resident who longs to spend his spare time undergoing religious training in mountain locations.
Iyano Jiho, 51, who heads Nikko-Shugendo, says those who come from big cities to attend the group's training sessions have a yearning for "mountains."
"For urbanites with little connection with other people and nature, Shugendo training might be offering opportunities to re-examine various involvement with human beings and nature," Iyano said.
Originally from Kanuma, Tochigi Prefecture, Iyano learned Shugendo at temples in Yamagata, Kyoto and Shiga prefectures and elsewhere.
He eventually thought of bringing new life to nyubu training in Nikko, near his hometown. He renovated mountain paths and accommodations for trainees, which had not been used for a long time. The renovation work was completed in 1985, and nyubu training resumed in Nikko.
Another yamabushi from Tokyo is a 30-year-old contract worker, whose religious name is Yamaguchi Horyu. He has been training at Nikko-Shugendo for the past eight years.
As a teenager, Yamaguchi felt strongly that he did not fit in at school. Wanting to "overcome a sense of alienation," he visited several religious organizations, but none of them inspired him.
"They were out of touch with everyday life, and lacked culture or history," Yamaguchi said.
When he was in college, he saw an ad for Nikko-Shugendo training in a magazine and attended a training session. He said to himself, "This is it."
The organization felt "down to earth," he said.
"Myself wearing a necktie and myself in yamabushi outfit are no different, in that I'm a trainee," Yamaguchi said.
Training which involves continued dialogue with gods and Buddha is challenging, he added.
"Still, for me, navigating through life in a big city may be more grueling," he added.
Yamaguchi's fellow trainee under Iyano is a 33-year-old man whose religious name is Kinuki Yuho. He has been training for seven years.
Since his childhood, he had harbored an interest in Buddhism because of his father and grandfather, who were pious.
Contemplating what to do with his life while studying to enter a university, he decided to put Buddhist ideas into practice through his work.
Kinuki got a job as a caregiver but left it after three years to study Buddhism.
While learning about the religion at a university, he met a person training in Shugendo under Iyano.
Asked to come along, Kinuki attended a session and was attracted to Nikko-Shugendo. He became a frequent visitor.
"For instance, in discussing Shugendo teachings in plain language, Iyano said, 'Don't do anything that weighs on your mind, whether it's good or bad.' I repeat these words in my mind, which makes me think," Kinuki said.
Although the words may appear abstract, for Kinuki, it is precious teaching he can apply to real life.
This month, Kinuki returns to his work as a carer.
"I do have apprehension, but I also feel like I have room to breathe somewhere within myself," he said.
"By experiencing the same hard training that trainees ahead of me underwent, such as walking on mountain paths trodden by many others, I feel as if I were spiritually connected with past trainees, as well as with current trainees, beyond time and space. I feel as if I were being encouraged by them. This kind of sense has taken root in me," Kinuki said.
Why do these city dwellers find common ground with Shugendo?
Susumu Shimazono, a professor of religion at the University of Tokyo, has this to say: "Since the 1970s, Qigong, meditation and other spiritual activities have become global trends. However, disappointment is spreading among some of the people who experienced these things. They say things like, 'They are not firmly rooted in society.'
"On the other hand, with traditional aspects as well as physical aspects, Shugendo probably appeals to such people."(IHT/Asahi: April 7,2009)
Friday, February 06, 2009
Birth of the Japanese Style
Friday, January 23, 2009
Sumo obsessed and poor? Go to the back gate.
From the Los Angeles Times
For obsessed sumo fans who can't afford the tickets to the sumo tournaments, the best place to go for seeing your favorite wrestling stars is the back gate. The Los Angeles Times often has interesting articles about Japan. In the Friday edition of the Times is an article about the best place to view sumo wrestlers for those who can't afford the tournament. It is the same in the US as well. People who hang out at the entrance to the secure parking area of a sports arena hoping to catch a glimpse of Kobe Bryant or Ichiro. Although you will probably never see any sports star in the US get "dropped off" by a taxi or private car at the stadium or arena.
According to the article, the sumo wrestlers will exit right out of a taxi cab at the sidewalk already dressed in their colorful robes. Yokozuna Asashoryu of course does not enter the arena like this. He and other top stars enter in limousines and are not seen by the fans out on the street. It is the lower level wrestlers that often arrive by cab, private car, or even the subway but that appears to be ok for the many fans waiting outside the back gate.
Most tickets for the New Year Grand Sumo Tournament start at $35 (approximately 3500 Yen) which does not seem too expensive but I guess due to the recession and the cost of living in Tokyo, that is more than many people can justify paying.
Back in the late 80's, early 90's, I did this after attending some Los Angeles Laker games at the old Forum. Magic Johnson and the other big Laker stars parked in the secure parking area under the Forum. I once saw Magic drive out in a large dark Mercedes. But some of the lower level players had to park outside. A few times I waited by the exit to their parking area and got a couple of autographs.
Monday, January 05, 2009
Japan is so interesting
Sunday, January 04, 2009
The Geiko's Journey
Part one
Part two
Part three
Part four
Part five





